Ghost Dubs

Michael Fiedler returns to Kevin Martin's Pressure with his second LP, a set that sits comfortably in the shadows between dub techno, ambient and Jamaican dub aesthetics. Oblique leans heavily into the experimental, crafting pieces designed for both deep listening and the creation of strange, immersive dancefloor atmospheres.

Fiedler's Stuttgart-based practice finds him deconstructing techno frameworks through heavily processed vocals, cavernous reverb and the kind of dubbed-out space that recalls classic reggae production techniques. These aren't straightforward club cuts - they're conceptual pieces that prioritise texture and mood over conventional structure.

For those seeking dub techno that refuses easy categorisation, that wants to unsettle as much as it settles.