Posture is one of SEVEN’s Resident Artists. A proud, queer trans-woman who has a track on SEVENVA01 and a EP release on SEVEN also this month. Australian born and now living in Berlin, she is a Producer, Party Promoter of Cuties and an occasional DJ (occasional because she mostly likes being in bed by 9pm)
Tell us a bit about yourself, including something we don’t know.
My name is Toby, and I’m a cute little trans girl from Australia who loves producing music. People know me for my upbeat, sometimes sassy club music, but at heart, I’m a drama queen who loves the emotional side of music.
I guess because I’m going through a second puberty, my moody teenage years are back, so I’m letting the musical drama flow freely.
Outside of music, I’m an undercover surfer girl living in a landlocked city. When I’m not hiding among the cool queers in Berlin, I love dancing with waves around the world.
Nothing compares to the feeling of gliding down the face of a wave—the power of the ocean, the push and pull, the drama.
How did your love of music first start, and was it always centred on dance music?
I was lucky to grow up in a very musical family. My dad played in bands and was always singing and playing guitar. My parents introduced me to trip-hop from a young age—some of my earliest musical memories are listening to Portishead, Massive Attack, and Björk on CD in the living room.
We had a huge CD shelf and sound system, and that’s where I learned about my parents’ taste. I definitely got my love for moody sounds from artists like Sarah Blasko. I also got my first taste of dance and pop music from Kylie Minogue and old Ministry of Sound compilations with artists like Armand Van Helden.
Growing up, I was really into indie rock. I played drums from the age of 12 in alternative indie bands and loved seeing live music. It wasn’t until I was 16 that I started paying attention to electronic music again. Discovering artists like Crystal Castles, Seekae, Mount Kimbie, and James Blake opened up a new depth of emotion and sound design for me.
That obsession took a new form when I went to a club for the first time and discovered house music. The sense of community was overwhelming. From that moment, I knew music wouldn’t just be something I loved—it would be my life.
SEVEN is a Queer & FLINTA leaning label. How do you feel about that? Is it important to you?*
As a trans woman and proud member of the queer community, releasing with a label that upholds these values is so uplifting. It’s vital to give space to minority groups and make them feel loved and supported.
There’s so much great music being made by Queer and FLINTA* artists, and it’s great to be part of a project that prioritises amplifying those voices.
By moving with care and grace, projects like this are slowly making the world a more welcoming place. Love, love, love to be a small part of that!
If there was something you could change or improve in our industry or scene, what would it be?
There’s a lot that needs to change—from increasing awareness and space for Queer, BIPOC, and FLINTA* people to addressing the culture of misconduct that still runs deep in the music industry.
We need more Queer, BIPOC, and FLINTA* people at the forefront—as club owners, promoters, technicians, producers, and artists. They shouldn’t be an afterthought in diversity conversations but recognised as the magical angels who make our community shine.
We also need to take education more seriously. In Berlin especially, where consumption culture is heavy, we have a responsibility to learn, grow, and support our community.
Another big change would be improving accessibility. We need spaces that consider people with disabilities and different life experiences—things like avoiding strobe lights, providing quiet areas at parties, height-adjustable DJ tables, and making water, snacks, and support readily available.
Now, Tell us about your track: 4 Ur Luv
SEVEN · PREMIERE: Posture – 4 Ur Luv
This one came together quite quickly. I was asked to contribute to the VA and wanted to make something more dancefloor-focused—something simple and to the point.
I always wanted it to be summery and bright with a UKG swing. I think I made it in bed on my laptop. A lot of my ideas start at home—I really need to remember that I have a studio and actually use it more often!
My tracks usually turn into emotional rides, but for this one, I wanted it to be purely about the dancefloor.
How did the track come together step by step?
I started with the drums, as I often do, to create a groove first. I usually struggle with basslines—they’re often the last thing I write—but this time, I did the bassline with the drums because they felt like they needed each other.
The rest came together quickly.
The thick bass and drums just needed a simple stab and some twinkly melodic parts, but I didn’t want to overdo it. I tend to overcrowd my mixes, so I’m slowly learning restraint (even though I still don’t always get it right lol).
When I found the vocal sample, I knew it was perfect. Adding the piano gave it the summery feel I was after. I usually spend forever tweaking things and adding too much, but for this one, I focused on simplicity.
In terms of production, I always prioritise arrangement first, then move on to making everything sound better. I used a lot of saturation and a bit of compression on the drums to give them punch—Soundtoys Decapitator was a big part of that.
I also love using warping and reversing samples to create textures. Warping was one of the first things I learned, and it’s still my go-to trick in production.
Is this track a hint at what we can expect from your future releases?
Kind of! I have another SEVEN release coming up (SEVEN7004 at the end of March 2025) that’s also dancefloor-oriented, a collab EP with my good friend Sparkly Pony. We had a blast working together, and the remixes from 131bpm and Eoin DJ are incredible.
Looking further ahead, I’m leaning more into theatrical music. I’ve always been a drama queen, and I love when music goes on an emotional journey. I won’t be confined to one genre, but dance music elements will always be there. Expect strings, choirs, and me wailing over the top—full drama, baby!
How do you produce?
I’m almost exclusively in the box. The only hardware I use is a Push and a MIDI keyboard—no synths or drum machines. I’d love to integrate more hardware at some point, but I got so deep into learning Ableton that I never looked elsewhere.
Also, money and space were factors for a long time. Maybe when I’m older and more shrivelled, I’ll cave to the hardware pressure!
Do you draw from your own experiences when writing music?
Absolutely. In the past, my music was emotional, but without a clear direction—it just came out naturally. Now, I start with a purpose. It’s been a fun but challenging shift, especially as I integrate lyrics. Writing proper lyrics is hard! I have huge respect for songwriters—it’s a skill I’m still learning (very slowly).
Which producers do you love yourself?
131bpm, Eoin DJ, Roza Terenzi, Skee Mask, Djrum, CCL, ARCA, Erika De Casier, Leon Vynehall, D.Tiffany, Command D, Zara, Stenny.
Dream remixers for one of your tracks?
CCL, Roza Terenzi, or D.Tiffany would be insane!
Posture’s track 4 Ur Luv is out now on SEVENVA01. Available on digital download via Bandcamp and Beatport, streaming on Spotify and all major platforms, and on double 12” vinyl from SEVEN’s Bandcamp and selected record stores.